As with Indian musicals, these robust artifacts made me wonder: It happens that Lemmons is an African-American, so the inclusion of her film would have addressed another nagging deficiency in the list—if you believe, as I half do, that the should be as inclusive as possible. Discussing a comedy, we can point to the wit and surprise, the shapeliness of construction, the Swiss-watch timing, the outsize bravura of a performance. Also a picture that was on my original, rough-draft list: Among the movies deemed unfairly missing were Mr. I managed to get nine of these into subsidiary sections:
A director-centric selection is one way to go. If the list were a little longer, I would have been proud to stand up for Mr. Some readers might think that I shoehorned and strong-armed too many obscure titles onto the list—all those Asian films that were barely or never released in the U. All of us who worked on this feature got a lot of satisfaction from the lavish response. Discussing a comedy, we can point to the wit and surprise, the shapeliness of construction, the Swiss-watch timing, the outsize bravura of a performance. Schickel can fairly say he dines with one of his honorees every night. Defending comedy is easy; defending sentiment is hard. Well, because Schickel preferred the first film, and I love the second, and neither of us would budge. Perhaps you demand, Why either? The non-Caucasian directors, 11, are all Asian: We had 10 coincidental selections in the s, exactly as many as we did in the four-and-a-half decades from to today. You may deduce that, at least for the Germans, Austrians and Hungarian, most of them Jewish, the answer was one word: Among the movies deemed unfairly missing were Mr. Life is a contnuing film education. To compliment our selection of Guilty Pleasures, we might have had another sidebar called Guilty Conscience—a contingent of films from developing countries and other underrepresented regions and ethnicities. Note that, as we approach the present day, agreement gets rarer. Schickel, out in L. That mirrors a consensus on classic films, especially classics from Hollywood, and a fragmenting of taste ever since. Richard and I used these slots as a kind of B list for some of our original favorites. Between us, reader, I sobbed through about half of the film. Japanese, Chinese or Indian. As for directors of the other three films, they already had films on the final list—though Hawks, Sturges and Almodovar are all as deserving of being multiple-film directors on the TIME as Scorsese, Lubitsch, Wilder, Bergman, Stanley Kubrick and Leone. Another word explains the lure of these directors for and to Hollywood: The most frequently cited title was Mockingbird. Fields is the author of that rough comedy gem.
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